Following a wonderful ACE-funded R&D last year at Norwich Theatre Royal, I’m thrilled that my adaptation of L.P. Hartley’s beloved The Go-Between will tour the Eastern Region in August and September this year, produced by Eastern Angles and directed by the wonderful Jake Smith.
More here.
Exciting News: The Go-Between Project Receives Arts Council England Funding
I’m thrilled to announce that my adaptation of L.P. Hartley’s The Go-Between has been awarded funding for an R&D by Arts Council England. The Go-Between is one of the great novels of the Norfolk, and – in collaboration with the brilliant Eastern Angles, Norwich Theatre Royal, St George’s Great Yarmouth, and Karen Goddard, this will be an exciting project for the Eastern Region and we’re really looking forward to working with communities across the region.
The novel is also timeless and exquisite exploration of memory, and in particular we want to work with older people across Norfolk to create a fresh, contemporary adaptation of this beloved story. The process has already been a rewarding journey of discovery – and we have a number of engagement events still to come – including creative writing and drama workshops (details tbc) – and this event in the village of Bradenham (which inspired the novel) on the 5th October.
We will be sharing a work-in-progress showing of the adaptation at Norwich Theatre Royal on the 23rd of October, from 3-5pm (booking details tbc). This will be an exciting opportunity to see the early stages of this project and to witness how The Go-Between is being reimagined for the stage.
I’m really grateful to Arts Council England for their support in making this project a reality.
We’re delighted that a UK Production and tour of Indigo Giant, produced by Komola Collective will begin in spring ’24. Please find full details on the Komola website.
We’re also thrillled that the play will be published by Salamander Street Press as a programme playtext alongside the production. Get your copy here.
Indigo Giant was performed at Dhaka’s Mohila Samity in September 2022 in a really stunning production.
Please see the Indigo Giant website for more information, and there are links to some reviews below.
We hope to produce the play in the UK in Autumn 2023.
Reviews
Forget being shackled by social conventions; these women fly through the boundaries of time to bend, provoke, and rescue history. They render a future for the past. – Sarah Anjum Bari, Daily Star.
Theatre is that magic carpet which can make anyone travel between past and present… undoubtedly an excellent production. – Proggna Paromita Majumder, Dhaka Tribune
Indigo Giant: A poetic tale of oppression and rebellion – Dowel Biswas, Daily Star
My play Indigo Giant will be performed in Dhaka, Bangladesh in September 2022:
https://www.komola.co.uk/indigogiant
New radio Vital Signs was broadcast on the 6th January.
Here’s the link:
https://www.bbc.co.uk/sounds/play/m00132v5
Alongside Komola Collective and Jatinder Verma Productions, we were hoping to finally perform my new play The Indigo Giant in Bangladesh in 2021. Unfortunately, Covid made this impossible. We’re still hoping for 2022, but in the meantime, we’ve made a really terrific film of an extract from the play.
Have a look at this:
Do also have a look at the new website for details of the broader context for this project.
Lots has happened since I last posted – I’ll try and update this one day soon, but you may be interested to know that (since 2018), I’ve been a Lecturer in Scriptwriting at the university, where I teach on the excellent MA in Scriptwriting, and also undergraduate courses in scriptwriting:
https://www.uea.ac.uk/course/postgraduate/ma-creative-writing-scriptwriting
I’m very excited to say I’ve been commissioned by world-class theatre pioneers TARA ARTS to write a new play about the Indigo Revolt in 1859/60. The revolt, also known as the ‘Blue Mutiny’, erupted in Bengal in response to terrible exploitation by British Indigo planters, and also inspired the writing of one of the most devastating and effective pieces of political theatre in history. NEEL DARPAN, by Dinabondhu Mitra. The play will be a response to and conversation with that play, and explore the legacy of Indigo cultivation in Bengal today…
I grew up in Bangladesh and India, and this project feels like a return to my ‘second home’. And on that note, I’m also very proud to say that the Royal Society of Literature have awarded me a Brookleaze Grant to travel to Bangladesh and India to research the play.